I’m slowly starting to get interested in this. Is there any info on it other than that one livestream I saw a few months ago? Character designs? Anything?
Look, I’m glad ‘12 Years [A Slave]’ got made and it’s wonderful that people are seeing it and there is another view of what happened in America. But I’m not real sure why Steve McQueen wanted to tackle that particular sort of thing.
[‘Fruitvale Station’] explains things like the shooting of Trayvon Martin, the problems with stop and search, and is just more poignant. America is much more willing to acknowledge what happened in the past: ‘We freed the slaves! It’s all good!’ But to say: ‘We are still unnecessarily killing black men’ – let’s have a conversation about that.
Samuel L. Jackson (via artyartyhadaparty)
I think in light of 12 Years a Slave winning the Oscar for Best Picture, this needs to be remembered. Because it is a very important point in terms of the palatability of 12 Years a Slave and why Fruitvale Station didn’t even get nominated when it has such acclaim outside of the Oscar world.
INTERVIEW: Kurtis Wiebe Talks ‘Rat Queens’ And Why Adventurers Are The Worst
By Chris Sims
Over the past five issues Kurtis Wiebe and Roc Upchurch’s Rat Queens has quickly become one of my favorite comics on the stands. The story of four Dungeons & Dragons-style adventurers who claim to protect the town while actually being the biggest possible threat to the peace is hilarious, brutal and action-packed, and more often than not, it’s all three at the same time.
The first story arc, Sass & Sorcery, wrapped up in the fifth issue last week, so to look back on one of the best debuts of the past year, I spoke to Wiebe about the influence of gaming on his storytelling, the character he relates to, and the almost unprintable original title.
expendableextra asked: Hey thank you for you Rat Queens posts. I ended up picking up the first 5 issues. Great stuff.
Awesome! Always feels nice to spread a good comic around.
Yasuke African Samurai of the Japanese Warlord Nobunaga Oda.
“Japan is not a place one would usually associate with immigrants from Africa or the Caribbean. Yet in the late 16th century Japan’s most powerful warlord, Oda Nobunaga, had a African page named Yasuke it is belived that Yasuke was either a Makua originally from Mozambique or from somewhere in the Congo region. Yasuke was not only a cultural curiosity but also served as Nobunaga’s bodyguard and was granted the prestigious rank of Samurai.
Yasuke arrived in Japan in 1579 as the servant of the Italian Jesuit Alessandro Valignano, who had been appointed the Visitor (inspector) of the Jesuit missions in the Indies, i.e. S. and E. Asia, an extremely high position, so Yasuke must have been quite trustworthy. He accompanied Valignano when the latter came to the capital area in March 1581 and caused something of a sensation. In one event, several people were crushed to death while clamouring to get a look at him. Nobunaga heard about him and expressed a desire to see him. Suspecting the black color of his skin to be paint, Nobunaga had him strip from the waist up and made him scrub his skin.
We do not know this Yasuke’s original Makua name but the Japanese called him Yasuke (彌介), the reason for this name is unknown as it does not have a clear meaning and that it is most likely a “Japanization” of his actual name.
He was apparently 6ft 2in and would have towered over the Japanese of the day. Nobunaga first heard of Yasuke when the news reached him in 1581 of the great crush that had occurred when Valignano had brought him to Kyoto where his skin colour and height attracted a huge crowd. Nobunaga ordered the Jesuit to bring Yasuke to his court so that he could see this sensation in the flesh.
Upon seeing Yasuke, Nobunaga allegedly ordered him stripped to the waist and scrubbed believing that his skin was painted. Japanese sources described Yasuke as “looking between the age of 24 or 25, black like an ox, healthy and good looking, and possessing the strength of 10 men. Nobunaga was further intrigued by the fact that Yasuke could speak Japanese (albeit not perfectly) and ordered Valignano to leave Yasuke in his care when the Jesuit prepared to leave again.
Yasuke became a permanent fixture in Nobunaga’s retinue, his size and strength acting as a deterrent to assassination not to mention a flavour of exoticism to accompany the warlord’s other Western possessions. Apparently Nobunaga became so fond of Yasuke that rumours abounded that the slave was going to be made a Daimyo (a Japanese land-owning lord). These rumours were proven wrong, however, Yasuke was given the honour of being made a member of the samurai class, a rare honour among foreigners. “
You can read more about Yasuke here: http://en.wikipedia.org/wiki/Yasuke
Important note: Obviously this is not a 16th century photo because there weren’t any cameras back then. The people in this photo were just stage actors who posed for this shot. Don’t you think it’s more enjoyable to read the article with an accompanying photo rather than just plain texts? That’s the reason why we included this photo.
SORRY FOR THE LONG POST
this was hard to make
but yeah TL:DR seeing things does not a crazy person make
wheeling this out again because someone just wrote to me asking about a similar experience and someone reacting to it badly so yes
still relevant (also please full view the pages if the text is too small)